Ulay and Abramovi made together often lasted for many hours. Student Cultural Center, Belgrade 1974. Bildupphovsrätt 2016, the Cleaner.5 2017, stockholm.
In the performance Balkan Baroque (1997) at the Venice Biennale she expressed her despair over the war and genocide in former Yugoslavia. Her earliest conceptual pieces and audio environments have similarities with the public performance works she has produced in recent years, where the focus has been on the presence of each individual taking part in them. Abramovi gives up painting in the 1970s. Photo: Jaap de Graaf. 5 900 kr, open Edition. In her exploration of mediation and transition, she has engaged in a series of Transitory Objects pieces that are intended as implements and triggers rather than as sculptures. The active participation of the audience has grown increasingly important, as in 512 djurgården vs örebro stream Hours and the completely new collective performance work The Cleaner (2017 which will take place on Skeppsholmen in conjunction with the exhibition. Marina Abramovi, Stromboli III Volcano, 2002 Courtesy of Marina Abramovi Archives and Lia Rumma Gallery, Milan. Courtesy of the Marina Abramovi Archives Marina Abramovi bildupphovsrätt 2016, ulay/Marina Abramovi, Rest Energy Performance for Video. Dressed in white, sitting on a huge pile of animal bones, Abramovi scrubbed futilely to clean them of dirt and blood. 4 minutes, rosc' 80, Dublin, 1980 Ulay/Marina Abramovi/Bildupphovsrätt 2017. After being rejected by the national pavilion on the grounds of its difficult subject matter, it later provoked great attention in the international exhibition, where she was awarded the Gold Lion, the Biennales most prestigious prize.